Pictural art has long ago ceased being just art. Not only canvases of great painters inspire, catch and make one think. They also motivate people who are willing to derive enrichment. Today we’ll talk about one of Rembrandt’s works that even made it to Guinness World Records for the number of attempts to take possession of it.
This refers to the famous portrait of “Jacob de Gheyn III” that was jestingly called “Rembrandt to go”. It is quite hard to tell conclusively why it is this picture that was plundered so often. Indeed, it is a work of the great painter that, no doubt, contributes to its price. Indeed, its relatively small proportions (29 cm per 24 cm) are theft-friendly. Still, there has to be something special about the portrait since in 20-something years malefactors took the risk for it 4 times!
The person depicted in the portrait – Jacob Gheyn III – is a painter from a wealthy Dutch family, well received in royal court. He was a friend of Rembrandt’s, a fan of his art and used to support him materially for many years. Once, not to embarrass his friend yet again when the latter one refused to accept financial support, Jacob commissioned him to paint a picture.
The task consisted of two parts: aside from Gheyn himself, Rembrandt was supposed to paint a Maurits Huygens, a state official. The word is they were best friends with Jacob, all but brothers. Therefore the portraits were to be made not only in a similar manner but also on the same panel. In 1632 the great painter concluded his work and delivered it to clients.
Meanwhile, the friends decided to be together not only when alive but also after death. Jacob and Maurits made an unusual pact and wrote it down on the back of the painting: portrait of the one who died first would migrate to the second owner. Andthat’swhathappened. In 1641 Gheyn’s portrait came into Huygen’s possession… But it isn’t the whole background. As it turned out, the panel Rembrandt painted on was rather big so even after the two pictures were created its significant part remained unused. Without second thought, the painter captured his self-portrait in the same style. Thus it came off as a trilogy. But it has always been Jacob’s portrait to be stolen. It happened for the first time in 1966. Aside from Rembrandt’s work, nine canvases disappeared from Dulwich Gallery of London. The incident made a lot of fuss and a little-known art centre became famous in an instant. This must have scared the burglars away and soon the painting was discovered in Streatham Common district – it was resting nicely under a bench at local graveyard.
Second snatch took place in a couple of years and all in all looked like a prank. One of the visitors of the gallery took the picture with him because… it reminded him of his mother. The fun wasn’t over at that: blunderer of a criminal was riding his bike with the portrait affixed to luggage rack…
In 1981 the canvas was stolen again hidden under a coat in a broad daylight. The public never found out names of thieves and the picture itself was discovered in a couple of weeks in one of London cabs. People in the car declared they had nothing to do with the incident.
And so far latest theft bears a date of 1983. Then it really was Hollywood-like. An anonymous descended from the ceiling of the gallery using a rope to steal the masterpiece. Policemen arrived 3 minutes later to find nothing but a lonely hook in a wall. As is usually the case with Rembrandt, there are more questions than answers. After such a serious and well-planned operation the canvas was for some reason anonymously returned in 1986 by leaving it in one of luggage lockers in Munster, Germany.
For over quarter century the portrait of Jacob de Gheyn III has been hanging safe and sound. However, in the world of art there is a plenty of acrid skeptics who are positive: sooner or later the painting will be involved in some kind of mysterious snatch because for people with material approach to pictural art it is especially attractive.
Yesterday I created a Universe. I took some peas, rice, buckwheat, millet, black and white pepper seeds and cardamom. Grabbed a handful of coffee and aniseeds. Then it all acquired a centre. It kept growing and calming my thoughts. When the last seed landed in the circle, I felt forgotten harmony again, heard birds singing through the noise of cars on the avenue, sensed fragrance of violets that a neighbor of mine was growing on her balcony and a recollection of Funtik from floor 5 and his tail evoked a flush of tenderness towards the shaggy monster.
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More than fifteen hundred years ago Romans were awe struck when they caught the very first sight of the Sistine Chapel. After that masters of painting were born and dead as well as whole pictural art styles. And contemporaries of you and me gape on the distinguished temple. However, while admiring another line intricacy and allusive painting theme, bear in mind that beneath the plot of glossy surface, as per usual, stand painfully familiar disputes with an impatient client, unpleasant surprises from nature and damaged health of painters-executants.
Dirty cars are like a host for an artist. One may treat such art differently. Someone will wrinkle his nose and disdainfully wrestle his clothes. Others necessarily want to put a finger in such a picture in order to check the fragility of the "canvas" and smear its outlines. However, others will definitely make a selfie. However, nobody can pass by.
In every art there are formats and rules – once in “mainstream” an Artist won’t have to starve. Even more so in totalitarian times when every sphere of people’s life is controlled and affected and selfhood has to be forgotten as such. It is probably in the face of a system natural talents emerge for their work to become immortal. Today Outlook recalls one of them, artist Kateryna Bilokur.
Only dancing and wearing mask, Korean peasants were able to express their disgust towards rudeness or greed of the hosts or apply to some deity with extraordinary request. Keeping anonymity, the people played out the scenes from life, cried, and laughed. At the end of the performance the destiny awarded the good characters and punished villains.
Behind the window sad eyes of old man peered at Petrograd engulfed by revolutionary fire. This fire spread on his life's work: a proud four-story building was invaded by noisy commissioners and sailors, whose presence seemed a cruel joke after regular customers. Workshop owner Carl Gustavovich Fabergé, apparently, noticed in this chaos approaching decay of his career. However, he could have a secret gleam of hope for another life of his heritage. If only he knew that it would come true, maestro would hardly have lost his spiritual strength...
We have amber flowing through our veins, joke the Balts. They believe that a sunny stone comes from tear drops of their goddess Jūratė. According to legend, she was careless enough to fall in love with a mere mortal fisherman named Kastytis who day by day cast his nets to the Baltic Sea. Jūratė forgot that immortal ones are not allowed to enjoy simple human happiness, she fascinated the young man to the bottom of the sea into her amber castle, and there the couple in love lost count of days and nights. On hearing this, the lord of gods Perkūnas decided to punish them: bolt of lightening stroke mortal lover, and disobedient lady was chained within her precious possessions for all eternity. Since then, the grieving goddess cries dropping yellow tears, and waters of the Baltic carry them to the shore for others to enjoy.
The spouse of the Ambassador Extraordinary and Plenipotentiary of Georgia to Ukraine Irina Sultanishvili carried out a meeting of the Ambassadors Spouses Club, in the frame of which some traditional clothes was demonstrated.
In those days when the Persian soldiers were second to none, and both the Roman Empire and the Arabian Peninsula were conquered by their power, skilful fingers of winner nation craftswomen created their first masterpiece. The carpet called The Springtime passed into history as the most precious of all time. It symbolized powerful rule of the Persians, and its beauty told about the divine origin of the king Khosrow I.
At the sight of Flemish lacework it is hard to shake the feeling that miraculous flowers, artfully braided into a wreath of a pattern, were born from loose sparks that had escaped a magic wand. On the inside of the beauty there are efforts and days of jetsam girls, stolen from life by labyrinth of openwork loops. Having compelled self-will of the thread to a dream about heaven, promised for humility, skills defied despair and need – to secure victory.
Fashion is an act. Fashion is a demonstration of freedom. Not being afraid to once seem ridiculous and odd, a person risks to become a part of fashion industry. Some names it remembers, some are wrongly forgotten and for some it becomes a pursuit, the meaning of the whole life.
In Kyiv academic theater of drama and comedy under support of Embassy of Belarus to Ukraine and Kyiv city governmental administration it was the play ‘Marriage contract’ of Minsk Film Actor’s Studio Theater. The performance was going in the frame of the tour in Ukraine.
Françoise Barbe-Gall teaches how to talk to children about art. She gives practical advices in her books, teaches to see things invisible to many people, to notice details and forget about labels. But we have to admit that among adults there are very few people who can boast with expertise in this area. If you want to change this order of things, today we offer you to go with us to the museums. Yes, it's a good idea, since we have chosen the best.
Modern cities cannot be imagined without murals – large-scale in size works of picture art that decorate buildings. Not only we have gathered most outstanding works in our collection but also tried to learn as many interesting things as possible about this art movement.
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You often got convinced that skilful hands of a master who puts life into his creation, can transform humble tree stump into a charming violin, piece of plaster becomes an ancient sculpture, and even clay tile looks like a work of fine art.
There is music which brings us back to life. It happens even if the tears are falling when one listens to it. The musical genre mugham talks to the audience using the right language. Everyone has lived out unhappy love, loss of a close person or ruin of ideals. These topics became the source of inspiration for the musicians of Azerbaijan movement mugham. OUTLOOK will tell about this unique style of music.
The power of gestures burns the text to ashes, sound deafens and takes to the abyss from which all of us come and where we return upon the accomplishment of a short time period called as the life. Attending the Theatre of Cruelty, a human appears in the centre of performance as there are everything we are hiding from in the everyday routine, particularly, freedom and isolation, life on the border, merging with the crows till self is lost and lonely residing at the top. The drama of being involves in its mineral resources, the echo of tragedy overwhelms publics and spectator without noticing it appears in the trap of the own perception. That is about the so-called ‘Theatre of Cruelty’ (theatre de cruaute), the child of French playwright and director, eccentric and shocking Antonen Artaud.
Twelve-string guitar, the twilight of Portuguese nights, candles, and soul-gripping voice… Dramatic incentives of fado song tell about unrequited love. It cannot appear in the crossroads of destinies; however, it enables feelings to embody into the touching sounds of Portuguese romances.