Behind the window sad eyes of old man peered at Petrograd engulfed by revolutionary fire. This fire spread on his life's work: a proud four-story building was invaded by noisy commissioners and sailors, whose presence seemed a cruel joke after regular customers. Workshop owner Carl Gustavovich Fabergé, apparently, noticed in this chaos approaching decay of his career. However, he could have a secret gleam of hope for another life of his heritage. If only he knew that it would come true, maestro would hardly have lost his spiritual strength...
This name evokes a particular resonance in the auction rooms. There was time
when Fabergé works of art left their homeland for a song, but now they cause
struggle between the most enthusiastic collectors and businessmen who are
fighting both for unique masterpiece and for a guaranteed status rise. But at
the same time such a huge and well-fed demand was a root-cause for fakes stored
in the homes of those claiming to belong to the highest echelons of society.
It is not surprising that many of the art lovers with
deep pockets hold the most varnish part of maestro heritage – Fabergé Easter eggs,
which at closer look turn out to be just a rough replica. Most of iconic eggs,
in an amount of 52, are Easter gift for Romanov Empresses, and 7 eggs were created
for Varvara Kelkh – a wife of wealthy gold industry entrepreneur, and another
10 virtuoso works got into private collections owners of which are still
The first Easter egg from Fabergé was commissioned by
Emperor Alexander III for his spouse Maria Feodorovna in 1885. Compared to
subsequent eggs that one was fairly simple: white enamel shell opened up to reveal
a golden yolk, inside the yolk was hidden ruby-eyed hen crafted of the same
precious metal. Inside the hen, under the principle of Russian nesting doll, was
concealed another surprise – a miniature crown. Fabergé played a winning game: he
based his creation on a souvenir kept for long years in Denmark native for the
Empress. Maria Feodorovna was so delighted with Easter gift that she and then
her daughter-in-law, spouse of Nicholas II Alexandra Feodorovna, were given one
every year until the revolution.
Designing precious eggs jewellers relied on three
postulates: uniqueness, hidden surprise and reflection of events crucial for
the country or its sovereign. The best Fabergé highly skilled craftsmen pored
over this task: Michael Perchin, Francois Bierbaum, Henrik Wigstrom. In the
process of products creation goldsmiths implemented elaborated design solutions,
breathed life into hidden surprise toys, recovered ancient techniques such as
guilloche enamel and bold play on a colour palette.
It is assumed that the most enthusiastic collector of
Fabergé eggs (and other maestro’s creations) among individuals is a Russian tycoon
Viktor Vekselberg who in 2004 bought a collection of Malcolm Forbes. This
transaction caused a lot of disturbances among others wishing to acquire Fabergé
masterpieces. The publisher’s descendants initially planned to put the
collection up for auction. However Vekselberg managed to negotiate with the
owners for sale of 15 eggs (11of which belonged to Imperial family) before the
start of general trading. Price is unknown, it said to be from $ 130 to $ 250
As for the current value of Fabergé eggs, over the
last few decades amount overcame 7-zero threshold. For instance, the
above-mentioned Vekselberg bought composition Coronation for about $ 20
million. The price depends on a number of factors ranging from belonging to the
Imperial Easter eggs collection and ending with the state of the object (broken
and even restored eggs are practically unsuitable for sale), and with the
complexity of the work (in-built clockwork is especially appreciated). Also,
the value at the time of product creation is accounted by jewellers in a very
peculiar way. Thus, the Winter Egg in 1913 was estimated at 24 600 Rubles which
by the standards of 1994, when it was put up for auction, amounted to $ 246 thousand.
Nevertheless, Fabergé creation was auctioned off for more than $ 5 million, and
8 years later it was resold at almost twice higher price.
Thus, Imperial gift is not only elite collectible, but
also a great chance to make money. It is enough to maintain the product in good
condition for several years, and purchase expenses will be covered with plenty
to spare by virtue to those willing to possess a masterpiece. We would like to conclude
the article citing Viktor Skrulov, expert of Christie’s auction house: Do you
know why creations of any artist become five times more expensive immediately
after his death? Because the master is unique! That is why existing companies
Cartier and Tiffany are not as priced as Fabergé.
Dazzling flashes of ancient knowledge manifested in colourful shimmering beads and in elaborated yarn mosaics by Huichol Indians, captivate the imagination calling for an endless journey through branches of the world tree. Spiritual images take on flesh in intricate ornaments that accompany a Mexican peasant throughout his life. Twilight land of legends always have a shelter for a weary traveller: no one is alone on the paths of spirits.
There is music which brings us back to life. It happens even if the tears are falling when one listens to it. The musical genre mugham talks to the audience using the right language. Everyone has lived out unhappy love, loss of a close person or ruin of ideals. These topics became the source of inspiration for the musicians of Azerbaijan movement mugham. OUTLOOK will tell about this unique style of music.
The power of gestures burns the text to ashes, sound deafens and takes to the abyss from which all of us come and where we return upon the accomplishment of a short time period called as the life. Attending the Theatre of Cruelty, a human appears in the centre of performance as there are everything we are hiding from in the everyday routine, particularly, freedom and isolation, life on the border, merging with the crows till self is lost and lonely residing at the top. The drama of being involves in its mineral resources, the echo of tragedy overwhelms publics and spectator without noticing it appears in the trap of the own perception. That is about the so-called ‘Theatre of Cruelty’ (theatre de cruaute), the child of French playwright and director, eccentric and shocking Antonen Artaud.
Twelve-string guitar, the twilight of Portuguese nights, candles, and soul-gripping voice… Dramatic incentives of fado song tell about unrequited love. It cannot appear in the crossroads of destinies; however, it enables feelings to embody into the touching sounds of Portuguese romances.
The Embassy of Lithuanian Republic to Ukraine, the Embassy of Australia to Ukraine and National Museum of Taras Shevchenko represented in Kyiv the photo exhibition ‘Olegas Truchanas – legend of Lithuania and Australia’.
Spectacular show project Cirque du Soleil rocked the world of circus art to remind that circus can not only entertain but also create new reality. Crazy experiments on human body defy any power on gravity and miracle-plays of sound and light lure the audience into a twilight labyrinth of philosophical dramas letting them get to the sun together with characters of stagings.
November 3, 2008, at the auction Sotheby's with a result of $ 60 million was sold one of the rarest works in the history of Russian art - Kazimir Malevich's Suprematist Composition. Malevich is still considered to be one of the most difficult to understand artists of the 20th century.Kazimir Malevich is still one of the most difficult to understand artists of the 20th century. As if mocking at the public, he signed some of his early works: The content of the paintings unknown to the author. OUTLOOK collected stories connected with personality, creativity, and the name of the artist and hopes that it will bring readers to understand the suprematist.
More than fifteen hundred years ago Romans were awe struck when they caught the very first sight of the Sistine Chapel. After that masters of painting were born and dead as well as whole pictural art styles. And contemporaries of you and me gape on the distinguished temple. However, while admiring another line intricacy and allusive painting theme, bear in mind that beneath the plot of glossy surface, as per usual, stand painfully familiar disputes with an impatient client, unpleasant surprises from nature and damaged health of painters-executants.
Yesterday I created a Universe. I took some peas, rice, buckwheat, millet, black and white pepper seeds and cardamom. Grabbed a handful of coffee and aniseeds. Then it all acquired a centre. It kept growing and calming my thoughts. When the last seed landed in the circle, I felt forgotten harmony again, heard birds singing through the noise of cars on the avenue, sensed fragrance of violets that a neighbor of mine was growing on her balcony and a recollection of Funtik from floor 5 and his tail evoked a flush of tenderness towards the shaggy monster.
On the 26-th of October it will be going a desirable premier of documental and biographic movie ‘Dancer’ on the price of success paid by the artist of ballet Serhii Polunin. Being originated from Kherson, he accidentally appeared in the Royal Theater in London where he became an overnight success but then went off the grid to get even more love of the spectators. Today OUTLOOK continues the cycle of materials about successful Ukrainians.
He made up his name to be one of a kind. Riot of his selfhood became the basis for enormous artistic heritage while architecture demonstrated the possibility to combine ecological compatibility with modern technologies.
‘Love evolves when one looks in the eyes of the person beloved seeing there God’, in such a way the lines of some Arabian song called Qawali is translated. The authorship of this chant is ascribed to Eastern strangers Sufi who tending to find the sense of existence strolled around the half an Earth bare-footed. In the travels they composed songs where they told narration describing what they had to endure.
The word is, Guy de Maupassant hated Eiffel Tower. The famous writer believed that it was uglifying the face of Paris without benefiting the city. Nevertheless, he could be often seen in a cozy cafe on the top of the construction. In such cases the author of “Bel Ami” used to say that “it was the only way the damned tower dropped out of his sight…”
The eccentric elder Katsushika Hokusai was the real star of the Edo period, the creative genius and the brutal debtor of the half of his city. He used at least 30 names, changed 93 houses and created a lot of prints, drawings and paintings. His internationally recognized print The Great Wave off Kanagawa is mesmerizing. But only a few people know that this block printing, as well as many other works, was created by Hokusai with assistance of his daughter - artist Katsushika Ōi, lost in time and overshadowed by her genius father crazy about art.
On July 14, 1918 in a Swedish town called Uppsala a man was born to create over 50 movies and direct several dozens of plays that raised the ante in art to an almost inaccessible level. Even today while watching his film created as much as half a century ago you realize that there is nothing they’ve lost – it’s more like they’ve gained.
KLONE is artist who was born in Ukraine. He left country when he was eleven years old. That is why he pays a special credit to the opportunity to present his exhibition in Ukraine and color mural. We were able to take an exclusive interview from the mysterious master who accurately hides even his true name from the world.
Having woken up and switched on TV, we are filling our house with the positive, energy, and bubbly laughing of those who make each our day easier and funnier on another side of the screen. Sometimes a spectator feels that world of television is the absolute holiday and festival, but too frequently our good mood and careless day is followed by the accurate and from times to times such a responsible work… Today the TV-host Grigoriy Reshetnyak shares with our readers the story of his success.
At the sight of Flemish lacework it is hard to shake the feeling that miraculous flowers, artfully braided into a wreath of a pattern, were born from loose sparks that had escaped a magic wand. On the inside of the beauty there are efforts and days of jetsam girls, stolen from life by labyrinth of openwork loops. Having compelled self-will of the thread to a dream about heaven, promised for humility, skills defied despair and need – to secure victory.
In the course of program of 2017 in honour of the 25-th anniversary of establishment of diplomatic relations between Australia and Ukraine as well as celebration of settlement of Ukrainians in Australia in Kyiv the exhibition ‘Artists-Ambassadors. Ukrainian Australiana’ has been opened.